![]() ![]() ![]() All four loops can be labeled as links in Hip-Hop’s history that interconnect with one another to establish relationships between the communities and political conditions in each generation. However, the chapters that are featured in a loop work together to encompass all of the aspects that pertain to Hip-Hop. The chapters in a loop separately have their own agenda, which creates a division between them since they target multiple conversations that are held among people in this movement. Each chapter in a loop also has its own title that clearly states what will be covered and what can be expected in the chapter. Each chapter performs its own function by focusing on an individual, a group, or an event that has heavily influenced the Hip-Hop culture. ![]() Each loop also has specific years that indicate the time span in which the chapters are framed. ![]() Each loop has its own title to distinguish itself from the other loops and provide an overview of the information that will be presented in the following chapters. This device allows him to divide his number of chapters into four sections that are each about a topic concerning Hip-Hop. Chang structures the chapters in his book by implementing his “generational loops” device. The book features portraits of DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, among others, and is based on numerous interviews with graffiti artists, gang members, DJs, rappers, and hip hop activists. ![]()
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